Censor This #2: Don't Go In the Church
We deep dive into the trauma, repressed memories and psychology of Enid Baines.
Inspired by Prano Bailey-Bond's horror film Censor, The Final Girls present a mini-series dedicated to unpicking some of the many layers of this film and why it stuck with us.
In this episode, Projections lecturer and host Mary Wild joins host Anna Bogutskaya to unpick the psychology of lead character Enid Baines, played by Niamh Algar. Throughout the episode you'll also hear from Niamh, hair and make up designer Ruth Pease and composer Emilie Levienaise-Farrouch.
There are some mild spoilers throughout the discussion.
Censor This is produced by The Final Girls with the support of Vertigo Releasing. Edited by Olivia Graham. Music by Emilie Levienaise-Farrouch used with permission.
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The Final Girls are a UK-based film collective exploring the intersections of horror film and feminism, founded by Anna Bogutskaya and Olivia Howe.
→ Find out more about our projects here: thefinalgirls.co.uk
→ Listen to our weekly horror film podcast.
→ Follow us on Twitter, Instagram and Facebook.
→ Support us on Patreon.
→ Subscribe to our weekly newsletter for new, original writing on horror.
In this episode, Projections lecturer and host Mary Wild joins host Anna Bogutskaya to unpick the psychology of lead character Enid Baines, played by Niamh Algar. Throughout the episode you'll also hear from Niamh, hair and make up designer Ruth Pease and composer Emilie Levienaise-Farrouch.
There are some mild spoilers throughout the discussion.
Censor This is produced by The Final Girls with the support of Vertigo Releasing. Edited by Olivia Graham. Music by Emilie Levienaise-Farrouch used with permission.
***
The Final Girls are a UK-based film collective exploring the intersections of horror film and feminism, founded by Anna Bogutskaya and Olivia Howe.
→ Find out more about our projects here: thefinalgirls.co.uk
→ Listen to our weekly horror film podcast.
→ Follow us on Twitter, Instagram and Facebook.
→ Support us on Patreon.
→ Subscribe to our weekly newsletter for new, original writing on horror.
